How did the first crime scene investigators find clues? What can an autopsy tell us about a person’s last moments? If a body is stuffed into a suitcase, can maggots still get to it?
These questions and more are answered in a brilliantly morbid exhibition at the Wellcome Collection in London (billed as the destination of choice for the “incurably curious”). Forensics: the Anatomy of Crime takes you on a journey over five rooms from crime scene to morgue, to laboratory and courtroom, exploring the many unusual ways forensics experts uncover evidence.
Of course, we at Deathly Ponderings just had to go along! It was utterly fascinating, and provided a rare look at real forensic items and techniques as well as historic photographs and archive material of some of the Victorian era’s most grizzly murders.
Bizarrely, the first thing we saw was an oddly-adorable dolls’ house. On further inspection, it was a mini model of a crime scene, known as a “nutshell study”: a brutal diorama used to teach criminology students in the skills of observation and inference.
The personal highlight for me was the “morgue” room, with specimens of skulls and brains with bullet wounds, and an original marble dissection table from the 1920s. You can sit and gaze at this slab while listening to the squelchy hacking sounds of a recorded autopsy, which makes for quite an unsettling experience.
As well as forensics, the exhibit looked at how people respond to death, with sculptures inspired by victims of genocide and the intriguing Japanese art of Kusōzu, delicate paintings showing the body of a young woman in various stages of decomposition.
I don’t want to give too much else away, because this is an exhibition full of fascinating little details and you really need to experience it to get the full sense of being immersed in the world of forensics for a couple of hours. While you’re at the Wellcome Collection, the exhibitions on the other floors are also definitely worth checking out: I recommend the room of miscellanea from Henry Wellcome’s personal collection, including shrunken heads, preserved mummies and Napoleon’s toothbrush.
The exhibition is free and open Tuesdays-Sundays until 21 June. If you’re going to the Digital Legacy Conference looking at death and grief in the digital age, the Wellcome Collection is just around the corner, so you can do both!